If these steps are followed correctly, your composite will have a feeling of harmony and look more believable which is the goal in good compositions! I also like to add subtle flares and other effects in my FG_Elements folder at this stage. Ensure that the light in the background image compliments the lighting that is on your subject.Make sure that the perspective of your background matches or is similar to the perspective of your subject.At this step, you can now add a new background! It’s important to note a few things, however. Now that your subject is removed from the background, move the new layer to your Subject Folder. Ensure that ‘Output To’ is set to ‘New Layer with Layer Mask’ and click Ok. Once your selection is made the final part to this step is to go to Select > Select & Mask. In the dialog box you can adjust the Global Refinements settings to suit your needs however the more important step here is in the Output Settings. With that said, it still takes me on average ~30 mins to get a super clean selection that I’m happy with. While there are other tools that can be used in this step, like the Pen tool, I find that for me, that Lasso tool when used with my Wacom Tablet allows me to be very quick and efficient at this step. Holding the option (alt) key will subtract from the current selection.Ĭleaning up the selection Photoshop made for you is usually the most time-consuming part of the composite. When using the Lasso tool, holding the shift key will add to the current selection. However this selection isn’t always perfect, and this is where you will need to use the Lasso tool by hitting L on the keyboard to manually adjust the selection. Photoshop will work its magic and make a selection of your subject for you. Select the layer with your subject and up in the menu go to Select > Select Subject. There are many ways to do this procedure in Photoshop however my preferred method is to use a fairly new feature that is available in the most recent edition of Photoshop. Your ability to cut your subject cleanly out of the background can make or break your composite. This is the foundation of your composite. I’ve also color-coded each folder group so that I can locate the exact layer that I need to work on quickly, even if there are 50+ layers! Step Two: Remove your Subject from the Background You can save time and automate this task by creating an action that will create all the folders for you in the blink of an eye. BG_Elements – Holds all my background layers and adjustment layers that only need to affect the background layers.Subject – Holds the layer of the main subject in the composite.FG_Elements – Holds any foreground elements such as light flares, or smoke that may interact with the main subject.Finishing – Contains all the final touches such as Color grading, Sharpening, Dodge & Burn etc.Before I start each of my composites I create a folder structure for my layers in Photoshop. With multiple backgrounds, foreground, adjustment layers, and clipping masks all over the place it’s a good idea to have them all organized. When doing a composite, photoshop can get messy real fast.
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